![]() The hit list would include the delightfully titled Woman and Birds at Sunrise, and the sculptures on the roof. Is the café worth a stop, or should we just plan on going elsewhere? When the bar is open, you can have lunch outside on the terrace with some Miró sculptures for company.Īny advice for the time- or attention-challenged? You can try to whizz through, but expect to get distracted. Gift shop: obligatory, inspiring-or skip it? There are two: one with your generic museum offerings (stationery, scarves, mugs) the other is a specialist bookshop that focuses on coffee-table art books, and – best of all – sells prints by exciting new contemporary artists. You’ll need to bring your own headphones. It focuses on 30 works and puts them in a political/geographical/Miró-headspace context. What did you make of the crowd? Extremely varied-aficionados spending several minutes devouring each piece, to groups of bros you’d expect to see drinking beer on the beach.Īny guided tours worth trying? Download the multimedia guide to your phone - it’s worth it, particularly if you’re new to Miró. ![]() For temporary exhibitions, nothing is too niche: take 2018’s Beehave, a multi-media installation exploring our relationship with bees. Downstairs, the Espai 13 studio is always taken over by a freelance curator or emerging artist–you’ll find videos, light installations, even personal performances. How were the exhibits? As well as space for his own works, Miró wanted a venue for contemporary arts research and conversation-so there’s a wealth of seasonal displays. (Barcelona, 1893 - Palma, 1983) Joan Mir was born in Barcelona in 1893, but the emotional landscapes that shaped him as a person and an artist were principally those of Mont-roig, Paris, and Majorca, and later those of New York and Japan. (A blue dot in a white rectangle might have some traditionalists shaking their heads.) But there is a vibe about this place that’s as irresistible and energizing as your morning coffee.īut also by their new shoes. Ye shall know them by their permanent collection: How was it? However you feel about Miró, the collection is lively and energetic and devoid of the stuffy pretense that art museums can attract. It’s modern, very white, and kind of minimalist by Barcelona’s standards-it's no La Sagrada Família-but the coolest part is knowing that you’re seeing Miró’s work laid out exactly as he intended. So it makes sense that Miró worked with his friend, architect Josep Lluís Sert, to design the building himself. What’s this place all about? It takes a certain type of space to accommodate Miró-an artist whose works range from a white canvas with a single black line to bold, primary-colored, robot-like sculptures. It marked a break and a turn to the avant-garde that it maintains today, as the depository of the works Miró gave to Barcelona and as aĬentre for popularising contemporary art.Zoom out. The Miró Foundation was Barcelona’s first contemporary art museum. In line with the artist’s wishes, it was built as a space that would exhibit not only his work but alsoĬontemporary art in all its different facets. After that, the cultural society of the time saw the need to create a space that could exhibit The origins of the Miró Foundation date back to 1968, when the painter held his firstīig exhibition in Barcelona, which was at the old Hospital de la Santa Creu. ![]() Open space with indoor and outdoor terraces that allow visitors to circulate freely. Josep Lluís Sert, a close friend of Miró, it was conceived as an It is housed in one of the most interesting buildings in the city, architecturally speaking. ![]() Parc de Montjuïc is one of Barcelona’s most prestigious artistic centres.
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